Tuesday, 1 May 2012
jstor-დან მოძიებული მასალა
VOLUME XXXTI JANUARY, 1937
VONDEL'S INFLUENCE ON GERMAN LITERATURE
EVER since the attention of scholars has been directed to the
study
of
the so-called German Baroque
the conviction has been growing
that this
movement entered North and Central Germany mainly
from Holland-
'das Zentrum aller nordlichen Barockkultur'.1 It is therefore necessary
to determine
exactly
the share which Vondel, the greatest
of Dutch
seventeenth-century poets, had in the making of this movement. His
relation to the German Baroque
is a somewhat
complex one. Current
German opinion regards him as the Baroque poet par excellence, but of
late some Dutch scholars, notably Albert Verwey,2 have opposed
this
view, by stressing
the fact that Vondel is a late Renaissance author with
certain Baroque characteristics, rather than the Rubens of
literature,
which some art historians have called him.
With
regard
to Vondel's influence in Germany, however, the issue is
complicated by
the fact that it was the Baroque qualities
of his poetry
that were admired and imitated by
the German poets, as Paul Stachel3
and Willi Flemming4 have pointed out.
The influence of Holland on German literature starts with Opitz.
It is
well known that in his treatises Das Buch von der deutschen Poeterey and
Vorrede zu Seneca's Trojanerinnen
this poet
followed Julius Scaliger's and
still more Daniel Heinsius's
interpretations of Aristotle's Poetics. Now
Vondel's
theory of the drama as it
appears
in the prefaces
to his
tragedies
is likewise based on Aristotle as Heinsius and his successor Vossius
understood him, though when it came to bringing
the
theory
into prac-
tice, his poetic
instinct often carried him beyond
their
teaching. As
Opitz's
treatises became the basis of all later theories of art in seven-
teenth-century Germany,
one may say
that his successors ultimately
derived their ideas on the
subject
from the same source as Vondel,
namely
the Dutch scholars.
Besides these
literary
connexions there was the element of personal
contact. Opitz had visited Holland in 1620, when he made the ac-
quaintance
of Heinsius. Such a
journey
to Holland, the so-called
'Kavalierstour', soon came to be
regarded
in Germany as an
indispens-
1 H. Cysarz, Deutsche Barockdichtung, p. 61.
2
Lately
in De Nieuwe Taalgids, xxx
(1936), pp. 31-4.
3 In 'Seneca und das Deutsche Renaissancedrama'
(Palaestra, XLVI, Berlin, 1907).
4
In A. Gryphius und die Buhne
(Halle, 1921).
M. L. R. XXXII 1
N გაგრძელება?
ნახატის განვითარების ზოგადი მიმოხილვა უძველესი დრიდან თანამედროვეობამდე
naxatis ganviTarebis zogadi mimoxilva
uZvelesi droidan Tanamedroveobamde
naS ro mis mi za ni a, ga ni xi los na xa tis, ro gorc sax vi Ti xelov ne bis er T -er Ti Zi ri Ta di Se mad ge nlis, prob le ma qar Tul
xe lov ne ba Si. Se ve xe biT na xats zo ga dad daz gur xe lov ne ba Si, mis
gan vi Ta re bas msof lio xe lov ne bis is to ri a Si, na wi lob riv visa ub rebT fres kul na xat zec. Ta na med ro ve qar Tul na xats ki
gan vi xi lavT er Ti Ta o bis mxat var Ta _ zu rab ni Ja ra Zis, ed mond
ka lan da Zis, di mit ri eris Ta vi sa da gi vi kas ra Zis Se moq me de bi sa
da ma Ti mxat v ru li mig ne be bis gan zo ga de bis ma ga liT ze.
kvle vis sa gans kon k re tu lad rom Se ve xoT, Tav da pir ve lad
mi zan Se wo ni li iq ne ba Ca mo va ya li boT, Tu ro gor gves mis na xa tis
cne ba da, imav d ro u lad, Tva li ga va dev noT msof lio xe lov ne baSi na xa tis gan vi Ta re bis is to ri as; am fon ze ki gan vi xi loT Ta named ro ve da, Se sa ba mi sad, zo ga dad axa li qar Tu li na xa tis xa si aTi. es me To di auci le be li a, ra Ta Se vis wav loT da gan v sazR v roT
is mxat v ru li ga re mo e be bi da mid go me bi, ra mac ga na pi ro ba mxatvar Ta Se moq me de bi Ti Zi e be bi da maT na xat Si for mad q m na do bis
kon k re tu li mo ti va ci e bi. hen rix vi ol f li ni aR niS nav da, rom
mkvle var ma mxat v ru li mov le na un da Se is wav los „mxat v ru li
for mis war moq m nis pro ces Si, aR niS nos ra mi si wi na mor be di da
mom dev no sa fe xu re bi~1
, anu mo a Tav sos es mov le na er Ti an kav Si -
reb Si da mi u Ci nos mas „sa Wi ro ga re mo~. am de nad, Cvenc vec de biT,
mxat v rul -is to ri ul kon teq s t Si ga vi az roT Ta na med ro ve qar -გაგრზელება:
ქართველი მხატვრები
Subscribe to:
Comments (Atom)